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Friday, October 5, 2012

Clownin' Around Under the Full Moon!

Killjoy  (Full Moon Entertainment, 2000)











Before the Camera:


Angel Vargas  (Quick Change)
Vera Yell  (Stigmata)
Lee Marks  (Half-Life)
Dee Dee Marks  (only feature!)
Jamal Grimes  (only feature!)
Corey Hampton  (only feature!)
Rani Goulant  (only feature!)
Napiera Groves  (Airborne '93)
William L. Johnson  (Motives)
Penny Ford  (Ticker)
Dionne Rochelle  (only feature!)
Carl Washington  (Creepies)
and
Arthur Burghardt  (A Rage in Harlem)
as
Homeless Man




Behind the Camera:


Directed by Craig Ross

Produced by Charles Band, Mel Johnson Jr., and Gary Schmoeller

Written by Carl Washington







As the 1990s came to an end, Full Moon was in another of their cyclical transition stages. The deal with Paramount for distribution had ended; there was a deal with Kushner/Locke for a series of movies produced by Full Moon people, but with the logo nowhere in sight and Band’s contributions as executive producer mostly uncredited. Another venture the company undertook at this time was for a series of “urban/inner city horror movies” with predominantly African-American casts, but following the standard Full Moon formula. This movie was an entry in that unofficial series, somewhat under the banner of City Lights Films.


Low budget - but with some visual style.


Through some fast dialogue, we meet Jada, a lovely young woman still in high school with a taste for bad boys like Lorenzo, the local gang banger celebrity. She is also receiving the attentions of Michael, a shlub who has been crushing on her for years. The movie manages to set this all up and bring all the characters together in about 7 minutes. Michael gets a beating in the presence of the girls, then later is tricked into further retaliation by the vengeful Lorenzo. It’s supposed to be one of those “threatened with an empty gun” things – but as so often happens in these things, there was one buwwet weft – and soon Michael lies dead on the ground. One year later, everyone is carrying on with their lives. But a really wicked looking clown shows up in an ice cream truck, and when Lorenzo’s buddies step inside for some promised recreational gardening treats – they find themselves transported to another world – the world of Killjoy – the clown doll who apparently takes 52 weeks to come to life and seek revenge! Now no one is safe, including Jada or her friends. Killjoy is on the warpath – and he’s not clowning around!


What? My daddy was Pennywise! My momma was Pippi Longstockings!
And if you don't believe that you can suck it!




I found this very low budget movie fairly entertaining – though maybe not always for the reasons the filmmakers intended. It was obviously produced on a shoestring budget, but it has some interesting ideas and is built around a pretty good main character – the creepy murderous clown. Clowns are scary, and while Killjoy here is more along the lines of a low rent Freddy Krueger – with his dreamlike powers and cheesy quips – he is still a well designed character with a great look. Vargas plays him well – though his monster teeth dental appliance affects his speech exactly like the vampire fangs did Chris Sarandon and Stephen Geoffreys in the original Fright Night – with a thickened pronunciation of certain words and a real difficulty with S’s – and at times Vargas sounds EXACTLY like Geoffreys playing Evil Ed post bite. Still, he’s entertaining in the role, and he bodily carries this movie toward the entertainment finish line.

There has never been a ritual using these things that
ended well.

The other characters and actors range from tolerable to pretty good, although the homeless guy who shows up to deliver exposition in the second half is pretty unneeded, especially since he fulfills this function by merely showing flashback footage to events we watched about a half hour previously. Thanks, useless recap guy! So, there’s a little gore, some decent makeup effects, and a lot of fairly cheesy CGI that manages somehow to be somewhat charming and the whole thing revolves around the same “come into my world” plot that was used for Evil Bong a couple of years later. It’s all wrapped up in a 71 minute package, and I thought it was okay. You’ll have to base your decision to watch on your fondness for such things.










Let's Get Out of Here ?

At approximately 57:38, Dee Dee Marks thinks the movie is over.







Eye Candy ?

It's not a great showcase movie - but Vera Yell makes it onto the list! Welcome Ms. Yell!












Buddha Man's Capsule Review


Buddha Man says " Not to be a killjoy, but Killjoy might
kill your joy, unless you're into movies like Killjoy."







I think you summed that up nicely, BM! Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Thursday, October 4, 2012

Celebrity Interview: Muse Watson!

I first met Muse Watson almost 20 years ago - he was acting in a movie I was working on called The Birds II: Land's End. A few years later - always a working actor - Muse joined the ranks of the great movie maniacs when he portrayed the murderous Ben Willis in I Know What You Did Last Summer. Although that movie was shot here in North Carolina, I didn't work on it with him. But Muse and I did work together again several more times across the next decade. Recently I heard he'd acted in a new supernatural thriller called Compound Fracture that sounded really interesting, so I contacted him to see about doing a quick interview. Muse agreed, and we chatted about a few of the many projects he's worked on over the years.


Muse Watson






Craig Edwards: Tell me the wildest thing you saw growing up.

Muse Watson: Voodoo. Blood from a man's nose.  I won't say any more....








CE: What made you want to be in the entertainment industry?

MW: I'm not sure. My father passed away when I was very young and we were very poor.  I may have just wanted some applause at first.







CE: What was the first project you acted in?

MW: I played Cactus Crash Crack Down, a silly police officer in the fourth grade.... not sure that was acting, but then I played Petruchio in Taming of the Shrew when I was in college at Berea College.








CE: We met on The Birds II: Land's End. What are your thoughts on that one these days?

MW: Well, my name got left out of the credits on that one. The director chose to leave his name off the credits.  I got more money as a fine for the credits mistake ... so I may have done ok. LOL








CE: You played that homicidal Gorton’s fisherman Ben Willis in I Know What You Did Last Summer. Was it fun to turn loose your inner homicidal maniac?

MW: Well, it was scary.  I remember wondering how I was gonna let Ben have my body without him hurting me emotionally. As I conjured him, he told me I was being silly. He said he didn't go through what I went through to prepare to kill someone. Didn't mean anything to him. He was a psycho. So I didn't take my head there. I just went to the set and did the action without any thought. Made me kinda scary I think and closer to the character.





"Hook line and sinker. In order, that's what I'm going to kill you with; what I was doing when I said
I wouldn't kill you; and what I'm going to do to this boat to dispose of your body."





CE: When we worked together on the sadly still unreleased movie The Last Summer, you told me a fascinating story about what the sequel I Still Know What You Did Last Summer was originally conceived to be. Can you go over your memories of those original concepts again?

MW: An early draft of the sequel, or the way it was pitched to me was Julie and her friends go to New Orleans, and there against the backdrop of the spooky and atmospheric Big Easy...Julie starts to believe she's being pursued by Ben Willis again...but the movie was going to be shot to keep the audience guessing for a long while whether he is back or if Julie has gone bonkers before finally revealing Ben is sure enough there and swinging that hook again. I wish we'd gotten to make that movie.


"We could have been on Bourbon Street doing this, with hurricanes in our hands. But nooooo...."




CE: You also told me that unlike the first movie, you were not present for every moment Ben appears in the sequel – what happened there?

MW: Well, after the movie was finished, the test audiences said the killing didn't start soon enough in the movie. They proposed killing Jack Black much bloodier and making it sooner in the picture.  I was already on another film shoot, but I ased them if I could fly back to L.A. to do it over the week-end. They decided it would be easier to get a stunt man to do it. He had to wear the hat so far down over his face not to be seen that there is where the criticism started of the movie being stupid...that the fisherman could not see, etc. I hated it. I could have done it.


"I am not amuse. Because neither was he."



CE: What was it like appearing on Saturday Night Live as Ben Willis to support Jennifer Love Hewitt’s hosting gig?

MW: One of the biggest thrills of my life....  I was insane with excitement and they flew the "Hook" in from L.A. to be there.... LOL





CE: Were you approached for I’ll Always Know What You Did Last Summer?
MW: Not really. My manager saw the script. It was idiotic. It's not a third. There is no third .... YET.



Don, really - Shanks, but
no Shanks.




CE: You’ve been busy since laying down your hook; NCIS, theater, Prison Break, movies. What were the highlights of that period for you?

MW: Prison Break was great. It is always so great to be on a set where every cast member is developing a unique character. The whole cast was so creative. ...and I enjoyed living in Chicago.


"All right! Perfect plan...we'll smuggle ourselves out inside
this kitty!"




CE: Now you’ve just wrapped Compound Fracture, a horror movie featuring you, Derek Mears, and Tyler Mane. Ben Willis, Jason Voorhees, and Michael Myers all in the same movie! What is this one about?

MW: It's about me and my son, Tyler, battling each other and finally my son in law, Derek, in some pretty scifi settings. ....... LOL





CE: Where did you shoot it?
MW: We shot north of town ( L.A. ) about 30 miles.


Compound Fracture



CE: Who else is in it?

MW: Leslie Easterbrook, Dan Roebuck, Todd Farmer, Renae Geerlings, Alex Saxon, and Susan Angelo. It's a great cast.

l to r: Susan Angelo, Alex Saxon, Muse Watson, Tyler Mane, Dan Roebuck, Renae Geerlings, Leslie Easterbrook,
Jellybean Howie, and director A.J. Rickert-Epstein.
Photo courtesy Joy Neely.




CE: Did you three iconic movie maniacs compare kill methods or weapons? The hook vs the machete vs the butcher knife?

MW: There is certainly a bond between us. Being a serial killer is a lonely job. LOL Being around other serial killers is neat.... we seem to really know each other.....


Compound Fracture




CE: Celebrity Psycho Deathmatch: Michael Myers, Jason Voorhees, and Ben Willis. Who's the last man standing?

MW: Well, in my opinion, there is no question..... Ben is smarter so he will last longer. Scary is great. ... but it takes intelligence to stay around ..... no stupid zombie in Ben.


"Sorry boys, I'm coming out on top in this one."






CE: When can we expect to see Compound Fracture?

MW: I'm thinking it may be soon.  I hear rumors that it is almost complete.


Compound Fracture



Thanks a lot for taking the time to chat, Muse! We'll be looking for Compound Fracture! My thanks to producer/co-writer Renae Geerlings and director A.J. Rickert-Epstein for the photos and the poster from Compound Fracture!




And to wrap this up - let's throw Muse's Demo Reel in - you get some fantastic clips from several of the shows he's worked on, including some of the Saturday Night Live bit. Be aware, the video contains some salty language and some violence. NSFW!



I can't embed the video clip - but here's the link:

http://youtu.be/gvhk7ht9HcQ



Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!



Wednesday, October 3, 2012

Hump Day!

TenList Presents: 10 Actors Who Played Hunchbacks!




1. Lon Chaney - Quasimodo  (The Hunchback of Notre Dame '23)














2. Dwight Frye - Fritz (Frankenstein '31)














3. Bela Lugosi - Ygor (Son of Frankenstein)














4. J. Carroll Naish - Daniel (House of Frankenstein '44)















5. Marty Feldman - Igor (Young Frankenstein)














6. Charles Laughton - Quasimodo (The Hunchback of Notre Dame '39)













7. Anthony Hopkins - Quasimodo (The Hunchback of Notre Dame '82)














8. Jane "Poni" Adams - Nina (House of Dracula)













9. Anthony Quinn - Quasimodo (The Hunchback of Notre Dame '56)










10. Alan Katz - Bob Maloogaloogaloogaloogalooga (Big Man on Campus)









If you watch any of these movies and any of the people above seem to die in the story - don't believe it! Much like them - you should have a hunch they'll be back!


And I hope you'll be back tomorrow for the next post! Until then, you Can Poke Me With A Fork, Cause I Am Outta Here!

Tuesday, October 2, 2012

Pre-Release Screening Room: Return of the Killer Shrews!

Return of the Killer Shrews  (Coal Train Productions, 2012)















Before the Camera:


James Best  (The Killer Shrews)
John Schneider  (Cocaine Wars)
Jennifer Lyons  (Jack Frost 2: Revenge of the Mutant Killer Snowman)
Rick Hurst  (The Cat from Outer Space)
Jason-Shane Scott  (Curse of the Puppet Master)
Sean Flynn  (Hatfields and McCoys: Bad Blood)
Jeneta St. Clair  (Barely Legal)
Holly Weber  (Supergator)
Chris Goodman  (John Carter)
Katherine Randolph  (Jarhead)
Maggie Wagner  (Bad Girls Dormitory)
John Anthony Williams  (Manny's Orphans)
Patrick Moran  (Jack-O)
David Browning  (A Tale About Bootlegging)
Billy Towers  (Daydreamer)
and
Bruce Davison  (Willard '71)
as
Jerry Farrell




Behind the Camera:


Directed by Steve Latshaw

Produced by Dorothy Collier Best, Pat Moran, Dan Golden, and Steve Latshaw

Written by Pat Moran, James Best, and Steve Latshaw



In 1959, in the movie The Killer Shrews, boat captain Thorne Sherman (Best) took a load of supplies to a group of scientists engaged in crazy 50's style scientific research into overpopulation on an island off the coast of Texas. The result of those experiments - rodents called killer shrews - normally thumb sized - grown to the size of knee high dogs! The beasties were ravenously hungry and vicious beyond imagining - killing several of the scientists and their staff. The last remaining scientist - Jerry Farrell - stays on the island and the shrews chase him down as Thorne and a couple of others make a daring escape attempt. In the end, Thorne was lucky to escape with his life.

Thorne Sherman - the man, the legend.




Now, it's fifty years later, and Thorne Sherman has unwillingly returned to that island, this time delivering a load of supplies to a crew of a outdoor survival reality show. Along with him this time is his trusty first mate Harold (Hurst). The show turns out to be a low-rent affair starring Johnny Reno (Schneider), a typically overblown Hollywood star. But the cast and crew have something far worse than an actor's ego to deal with on this island. First, the production interns disappear, then more of the cast and crew go missing. Jerry Farrell - still very much alive - is still on the island, and the intervening years have not been kind to his sanity. As the production crew continues to work on the TV show - there are strange noises out in the woods. Thorne Sherman has heard those noises before. Fifty years before - on this very island. The Killer Shrews have returned - and this time no one may survive!

Still getting the girl...to come inside before the Killer Shrews show up...


 I was looking forward to this movie for scads of reasons the minute I heard about it. A true sequel, not a remake/reboot/reimagining? Check. Steve Latshaw - my online acquaintance and creator of several really fun movies - as co-writer, producer, and director? Check. James Best - returning to the role of Thorne Sherman 52 years after the original movie? (I still say this has got to be a world record and the producers should contact The Guiness Book for a new angle on some publicity for the movie). Check. Getting a Dukes of Hazzard mini-reunion with the cast additions of John Schneider and Rick Hurst? Check and check. Another fave actor joining the show - Bruce Davison? Check.

Bruce Davison - seriously great actor and hell of a nice guy according to
friends who have worked with him.


With the feel of a classic drive-in flick, this production manages to respect the original movie, offer up some fun and knowing performances and monster movie thrills, and best of all - do it all with a real sense of humor. Everybody plays it seriously in the attack scenes, and with a wink the rest of the time - and there are in-jokes and references to a lot of these actors and their previous associations that couldn't be more welcome to me. (I'm also not going to spoil even one of them.)


The standouts in the cast are of course the three Dukes vets and Bruce Davison - but don't count the other actors out - everybody has some good moments, and while some of the smaller roles feature less polished actors nobody is less than adequate.

That's Sean Flynn - grandson of Errol - peering through that lens...


I also have to give a little more love to the veteran actors. James Best is a marvel - in his eighties but still getting around like a man thirty years younger - and still with that marvelous twinkle in his eye. He's playing Thorne pretty lightly for the most part - but watch the scenes when he's reliving the events of the original movie - he's completely solid in these more dramatic moments. This is an actor who has been criminally underappreciated for too long - and I'm thrilled he's in this movie.


John Schneider said in a behind the scenes interview that James Best advised him to play Johnny Reno as "Burt Reynolds circa 1982," and that's a perfect description of what he's doing here - a little pompous, a little clueless, and believing his own press for a little too long. He's hilarious in this role.


Rick Hurst brings all of his likabiliy and his chemistry with James Best to bear here - you worry about him constantly - because the sidekick is always in mortal danger in this kind of movie - and he makes you care about Rook.


Bruce Davison was cast at the eleventh hour according to the film's website cast list - and wow, what a stroke of luck for the movie. As the only other returning character not being played by a returning actor (original Jerry - Ken "Festus" Curtis - died in 1991) Davison has a pivotal role - and while he's not on screen for hours on end - his appearances are cleverly dotted in, and it's just wonderful to see him - as it always is - and his willingness to poke fun at one of his iconic former roles is as cool as it gets.

James and John - friends to the end.


The locations are gorgeous, the cinematography crisp and colorful, and credit must also go to the production design team - as they recreate the interior of the house on the island to a T. Considering the budget and schedule here, no department is slouching - and I give kudos to all of them for providing some solid production value onscreen. Everything has been marshaled to the screen by director Latshaw with a real sense of engagement - he seems to have had a good time directing this movie - and that is some real production value - because it's passed on directly to the audience.


That said, now let's talk about the effects.


The 1959 movie catches hell in pretty much every review that its effects are shoddy - with dogs in costumes in the wide shots and puppets in closeup - but I will forever state for the record that until they show everything a bit too much in the climactic scenes those effects are pretty danged good.


I have a feeling the same kind of thing is going to happen here - as the costumed dogs have been replaced by CGI Killer Shrews with a new animatronic puppet for some closeup work. So expect most of the reviews to harp on the CGI. But here's the thing - you only have about four other ways you could possibly create the effects of giant killer shrews. You could go completely animatronic - but that means few or no wide shots. You could go stop motion animation - charming and retro - and one of my favorite visual effects - but still glaringly obvious as a special effect. You could do dogs in costumes again - not well received the first time - bound to be slammed this time - or you could do the old Bert I. Gordon trick and composite real killer shrews with the actors - again, some charming effects, but still completely obvious as an effect. So, for the money on hand, CGI was the way to go. The Killer Shrews look great - it's a really scary design - and they themselves look good and pretty "there" in the shots - except where their feet touch the ground (or their victims when the shrews land on them). The CGI blood in the attack scenes is also a little obvious - but it's still better than the CGI blood spray you get when whatever Syuh Fyuh channel movie has its MegaDinoOstrich chomp somebody. The practical effects - the Killer Shrew head and claws, and the practical attack effects are well handled and most welcome.



Lastly - when you watch - be sure to stay through the end credits - where you get a brand new song called Shrewd Awakening - which is so meta you'll be mindblown when you finish reading this. Now, this cool song has vocals from Katie and Jillian Torrence - daughters of Dean Torrence, who is Dean of "Jan-n-Dean" fame - but it gets better - Dean Torrence also performs on the song - along with actor Bruce Davison, who once played Dean Torrence in a movie about Jan-n-Dean! See? Mind blown!

So that makes this...Dean-n-Dean...sort of...


Basically, if you like cool old movies like The Killer Shrews or newer movies like DinoShark, you'll find a lot to love in this old fashioned creature feature. However, if the only value you find in these movies is to point out their low budget issues while being snarky and hipster about them - move along, there's nothing for you here.




My thanks to Steve Latshaw for providing LGOOH with a screener copy of Return of the Killer Shrews.




Let's Get Out of Here ?

At around 37:40, Jason-Shane Scott has gotten enough footage with his camera.






Eye Candy ?


Oh my yes!


Jennifer Lyons


Jeneta St. Clair


Katharine Randolph


Maggie Wagner





Holly Weber

Yowza! Welcome to the list, ladies!






Buddha Man's Capsule Review

Buddha Man says "Return of the Killer Shrews was worth
the fifty two year wait."





Thank you Buddha Man! Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Monday, October 1, 2012

Maniacal Movie Poster Monday #88!

Here we go again! Welcome to October 2012 and

Let's Get Out of Here's! Third Annual Halloween Horrorfest!


31 straight days of horror themed posts - with all the usual departments, maybe a repeat or two - and hopefully a lot of fun!



As October 1st has fallen on a Monday - we're kicking off this shindig with the 88th edition of Maniacal Movie Poster Monday - and we'll make it a theme week!

Let's do a threefer - with the one, the only:


Halloween  (Compass International, 1978)





Three foreign posters - how did those in other lands promote John Carpenter's classic when it came to play?


Yugoslavia



Apparently the title of a movie and a few actor names are all you need to sell a movie in the country formerly known as Yugoslavia. I mean - regarding everything above the title - what the hell is that?







Great Britain



I do love the British Quad format. This one is interesting - making Carpenter's name the largest font; a different tagline; and most importantly - the spoiler revelation that Michael Myers kills by firing a death ray out of his hands!






Japan



And then there's the Japanese. What appears to be minimal writing (but could be whole encyclopedias, considering how much I know about Japanese writing) and a big picture of Michael Myers front and center with features so outlandishly Westernized he looks more like Jo Jo the Dog Faced Boy than William Shatner. Still, it must have worked, as I know the movie was a huge hit over there!





Until tomorrow - you Can Poke Me With A Butcher Knife, Cause I Am Outta Here!