November 2020 - and the blogging continues...

 2020 nears its end. What a crazy wild year it has been... so far. (So far added to ward off the jinx possible for the last six or so weeks.)

Bookworm's Book Club: So L.A. A Hollywood Memoir

Time for a trip into Bookworm's Book Club for a memoir of life in the wild times of the late 20th century in California:

    Staci Layne Wilson came from bona fide show business roots - her dad was a founding member of the Ventures rock group who gave us hits like "Walk, Don't Run" and the radio version of the "Hawaii Five-0" theme song. Her mom was a pinup model and author. And now Staci has intertwined their stories into hers in her autobiography "So L.A. A Hollywood Memoir."
    Staci takes the reader back to her parents' early lives and interactions with celebrities as they started their showbiz careers, then moves into the 60's when Staci came into the world. She then takes us through her childhood in the 70's, her "wild child" teen years in the 80's, and her own career in showbusiness in the 90's through today. Staci has been a writer, critic, host, actress, and director in her time in the industry, and she has amazing stories all along the way. Her writing really takes you back to the time period she is describing - I am close to her in age so I remember all the years of her life even though my version took place in the Midwest and featured way less sex, drugs, and rock 'n' roll. She pulls no punches as she covers alcoholism, suicide, her own brushes with death, and what can happen to those who carve out a career more on the fringes of pop culture than on the A List. She has really lived a life, and she puts it all on the page. Refreshingly she also pretty much goes the good, the bad, and the ugly route - naming names throughout with very few "nameless" references or stories.
    Staci has gone from interviewing top stars on the red carpet of big Hollywood premieres to hosting shows and podcasts and she's currently working on her own independent film projects. Her love of movies (and especially horror and genre movies)  shines through as she talks about her time reviewing movies for websites. She's been a Jill of all Trades in show business, and covers everything from rock band tours in Japan to the joys of raising horses with stops in between touching on her mom's run as an author of erotica to her appearance on the 70's kids show "Kids Are People Too."
    If you're looking for a time capsule of life on the West Coast over the last several decades from someone who has been in the Pop Culture trenches - this book will definitely scratch that itch so I recommend this one most heartily.

Staci Layne Wilson

Keep an eye out for another of these increasingly infrequent posts soon! Until next time, you Can Poke Me With A Fork, Cause I Am Outta Here!

Happy Pandemic!

Stay Healthy!

Wash your hands!

Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Tarantula review

Scream Factory goes for the creepy crawly in their licensed Blu-Ray release of the 1955 Universal International Big Bug movie TARANTULA.

We get off to an atmospheric start with an unidentified man in a California desert dropping dead. He's not exactly a brown eyed handsome man either. Small town doctor Matt Hastings (John Agar in the first of his three science fiction movies for Uni) gets called in, and the corpse is eventually identified as Dr. Eric Jacobs - assistant to local science guru Gerald Deemer (Leo G. Carroll in the role that got him immortalized in lyrics for THE ROCKY HORROR PICTURE SHOW). Whatever killed Jacobs also disfigured him, and no one seems to realize he died looking like THE MONSTER ON THE CAMPUS and Mr. Hyde from his run-in with Abbott and Costello - but maybe no one in Desert Rock Arizona had seen those movies or knew how much mileage cost conscious Universal would get from one of Bud Westmore's lazy monster masks.

Dr. Matt is intrigued by the mystery and starts hanging around Deemer's house on the outskirts of town - or is it that he's attracted to Deemer's attractive new assistant Stephanie-but-everyone-calls-her-Steve (Mara Corday at her most va-va-va-voom)? It's both, actually, and who can blame the guy?

Back at the main plot, Deemer's area of research is growth hormones, and how they might be used to scientifically increase food supplies to ease world hunger. But there have been weird side effects, and another of Deemer's assistants goes nuts and attacks the doctor - dosing the older man with the hormone and inadvertently releasing a tarantula from the lab that is the size of a coffee table - and growing.

While Matt and Steve continue to probe the mystery, that big spider is getting bigger, and it starts to eat the populace around the town. Eventually our heroes get a look at what's bugging Desert Rock, and by then the tarantula may be too big to stop. If only we had someone like Clint Eastwood available with some of that newfangled napalm...

And let's not forget how attractive Mara Corday was...

After the Gothic horrors of FRANKENSTEIN, DRACULA, and the WOLFMAN and all their various pairings and tussles carried Universal through the 30's and 40's - they turned to more scientific monsters in the 50's, which was a much better idea than yet another stalk around the castle for the previously named trio and their buddies. These new menaces from Universal-International included THE CREATURE FROM THE BLACK LAGOON, THE MONOLITH MONSTERS, and THE MOLE PEOPLE - and then there were the Big Bug Movies. Other studios gave us THEM! (Gi-ants), EARTH VS THE SPIDER, and THE BLACK SCORPION, while Universal-International offered this movie and THE DEADLY MANTIS. The dangers of radiation and what it might do to the average insect or arachnid resulted in one of my favorite sub-genres of scary cinema. Considering the state of the state of the art in special effects in the 1950's - there were a wide variety of effects used to bring these critters to oversized life. Sometimes they were matted into an existing shot to appear huge; sometimes two different scaled shots were combined into one; and sometimes animatronic mock ups were used. They all had varying degrees of success, and I like the old school inventiveness of all of them. For TARANTULA, Clifford Stine and David Horsley use matte effects to put a real tarantula into shots showing him oversized for the most part; there are a few closeup shots of a puppet spider face (!) created by the legendary Wah Chang, but we only see that a couple of times in the picture. And the effects do what they set out to do - they show a big ass spider roaming a desert countryside, knocking boulders down a cliff, and even destroying a multilevel house. There are some issues here and there - sometimes the spider or some part of it is translucent; sometimes the feet disappear when they "touch the ground" and a couple of times bits of legs disappear behind something that is matted out of a given shot. But that's quibbling. It's a scary damn giant tarantula and it will eat you.

Did I mention what a babe Mara Corday was?

The screenplay by Robert M. Fresco is serviceable, and as I found out from the disc's commentary - the whole thing was based on a story by Jack Arnold that he had based on an episode of SCIENCE FICTION THEATER called "No Food For Thought." That episode aired in 1955, so they wasted no time adapting it obviously. The TV show had no big bugs, but was about a scientific enclave in the desert who find the downside to creating synthetic foods through growth hormones. Jack Arnold directed that episode - and thought it would work as the basis of the story to get a humongous spider up and running for a feature film he'd be directing. Jack Arnold was the perfect guy to direct TARANTULA. He'd started directing shorts in the 40's before moving into feature films for Universal in the 50's. On his resume are a couple of bona fide classics - the aforementioned CREATURE FROM THE BLACK LAGOON and THE INCREDIBLE SHRINKING MAN (which reportedly features a cameo from the same spider star as this movie). Arnold handles this kind of science fiction just right - getting good performances from the cast of familiar faces and letting the effects take center stage in just the right amounts. In addition to the actors already named, the sharp eyed viewer will spot Nestor Paiva, Hank Patterson (Mr. Ziffel from GREEN ACRES); and Raymond Bailey (Mr. Drysdale from THE BEVERLY HILLBILLIES, and appearing here without the toupee I'll bet you didn't know he wore on that show.) And best of all, it is an early appearance for Clint Eastwood, but you'll have to make do with just his eyes and voice as the getup he's in only allows for that much of him onscreen.

For the Blu-Ray release Scream Factory has used a new 2K scan of the original film elements, and the movie looks very nice. There is a pleasing amount of film grain in the picture, and the contrast for the various night scenes throughout is crisp. The sound is clear and well mixed. There is a new audio commentary as well. It is hosted by film historian Tom Weaver, but he brings along a crew to assist, including Dr. Robert J. Kiss and David Schecter - and in something new to my ears, actors to intone quotes from the actors and crew people who are no longer around to be on the commentary themselves! The commentary covers everything you could think of across the 80 minutes of the movie, with indepth sections on the movie's music - mostly taken from previously written cues from a number of composers including Henry Mancini - and the movie's releases in various double feature pairings and by itself around the world.

Basically, if you enjoy this kind of movie, this is a solid purchase. Unlike the earlier Universal DVD release, which was in a box set with several other science fiction pictures - you are only getting the one movie - but the beautiful presentation and the commentary make this worthwhile, even as a double dip.

And lookie there - I managed to get through this whole review without once reverting to the line "this picture's got legs!"



Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Celebrity Endorsement: William Ragsdale!

I first encountered him when he encountered his next door neighbor - the vampire - in Tom Holland's immensely wonderful Fright Night in 1985. I've watched him in lots of stuff since, including his Fox sitcom Herman's Head and on the F/X series Justified. He's William Ragsdale, and he knows good pop culture blogging when he sees it.

Thank you Mr. Ragsdale!




Until next post - you Can Poke Me With A Herman's Head, Cause I Am Outta Here!

Still kickin'!

Hey gang!


It has been a while, but I wanted to pop in and say hi - and mention that I'll have an article appearing in the March 2019 Scary Monsters magazine! It will be a heartfelt tribute to the late Jim Hendricks - who played "Commander USA" on the same-named network in the late 80's and into the 90's.




Watch for it!



Until next post - you Can Poke Me With A Fork, Cause I Am Outta Here!

It's 2018 - Do You Know Where Your Favorite Pop Culture Blogger Is?

Why, I'm right here!


It's been a long while. I'm sorry if you actually have enjoyed the posts here. It's difficult to make the time as I used to - consequently I haven't for months. I do want to keep this blog alive though - so here is a new post for those still paying attention.

Until next post - surprisingly sooner than you might think - you Can Poke Me With A Fork, Cause I Am Outta Here!